743 Royalty-Free Audio Tracks for "Four Calls"

German hunting signal Fox is dead Deutsches Jagdsignal Fuchs tot

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V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Winter from Vivaldi's Four Seasons performed by the Air Force Strings of the United States Air Force Band. Jessica Dan on Violin. Track 5 from Wintertime (1999).

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

ii-V-I turnaround in C, in four-part harmony.

Schubert Fantasia in F minor bars 98-106

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Dominant eleventh chord in four-part writing.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Piano Sonata No. 21, 1st movement, second subject

This is a field recording made with a zoom h1-n recorder. As we approached a nest in a tall douglas fir tree, a red-tailed hawk flew out, landed in a tree near us, and called out constantly. Perhaps these calls were trying to distract us from the nest, where we could see, with binoculars, two young heads in the wide nest. This is a recording of four of those calls.

Four "bou"s in thick voice.

I just. . . I couldn't understand why.

Working with sounds and voice story telling.

400 400 400 400 400.

A knocking sound on a door.

Car sound made in pure data.

A playstation 4 being turned on.

Four light switch noises.

Created from my home-built wavetable synthesizer, and recorded in audacity.

A simple four to the floor beat i whipped up in a tracker. Uses opm's drumatic set. I believe the bass is playing a d.

Four engine propeller plane exterior idle.

Free use.

A trumpeting roar-like sound i made by dragging a heavy metal chair across a cement floor. I picture a herbivorous creature, maybe like an indricotherium, making this call, but feel free to use this sound for any creature you want! edited in audacity.

Atv driving away.

Atv revving engine.

Hero's theme from photoplays and melodrama.

Created from my home-built wavetable synthesizer, and recorded in audacity.

Recorded for efldev2. Feel free to send me a message if you think my voice would be good for your project!.

I opened the door and stood in the doorway to record the wind. You hear leaves rustling on the floor and every now and then the wind accidentally gets into the mic as i don't have a wind screen. You hear a little howling as well as some squeeking noise through it.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): anianalognote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit chordnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): grit padnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): pleasing fmnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): round 92note: c2midi note: 36.